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The more anachronistic the character of Bond became, the more the producers attempted to appeal to a younger audience through music. In recent years, they’ve tried everything from grunge (the late Soundgarden frontman Chris Cornell) to Madonna to an awkward duet between Jack White and Alicia Keys. But even so, commissioning Billie Eilish seems striking: it tells you as much about the 18-year-old’s ascent to the kind of artist your grandparents have heard of as it does the Bond franchise’s desire to appear hip. Like her cover of Yesterday at the Oscars ceremony, No Time to Die sees Eilish taking…

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